EMPIRE ESPLANADE 6
200 West Esplanade, North Vancouver 604-983-2762
Mirror Mirror (PG) - Fri, Mon-Thur 6: 40, 9: 10; Sat-Sun 1: 10, 3: 40, 6: 40, 9: 10 p.m.
The Three Stooges (PG) - Fri, Mon-Thur 7, 9: 25; Sat-Sun 1: 05, 3: 25, 7, 9: 25 p.m.
Journey 2: The Mysterious Island 3D (G) - Sat-Sun 1: 30, 4 p.m.
Lockout - Fri, Mon-Thur 7: 10, 9: 30; Sat-Sun 1: 20, 3: 50, 7: 10, 9: 3 p.m.
John Carter 3D (PG) - Fri, Mon-Wed 6: 30, 9: 35; Sat-Sun 3: 45, 6: 30, 9: 35; Thur 9: 35 p.m. Sat-Sun 1 p.m.
Wrath of the Titans 3D (14A) - Fri, Mon-Thur 6: 50, 9: 20; Sat-Sun 3: 55, 6: 50, 9: 20 p.m.
Wrath of the Titans (14A) - Sat-Sun 1: 40 p.m.
Safe House (PG) - Fri-Thur 6: 35, 9 p.m.
PARK & TILFORD
333 Brooksbank Ave., North Vancouver 604-985-3911
21 Jump Street (14A) - Fri 6: 40, 9: 40; Sat-Sun 1: 30, 4, 6: 40, 9: 40; Mon-Tue, Thur 6: 40, 9: 20; Wed 9: 20 p.m. Thur 1 p.m.
Dr. Seuss' The Lorax 3D (G) - Sat-Sun 1: 20, 3: 30 p.m.
The Cabin in the Woods (18A) - Fri 7, 10; Sat-Sun 1: 50, 4: 30, 7, 10; Mon-Thur 7: 10, 9: 35 p.m.
American Reunion (18A) - Fri 6: 50, 9: 50; Sat-Sun 1: 40, 4: 20, 6: 50, 9: 50; Mon-Thur 7, 9: 40 p.m. Thur 1 p.m. The Hunger Games (PG) - Fri 6: 30, 7: 10, 9: 30, 10: 10; Sat-Sun 1: 10, 4: 10, 6: 30, 7: 10, 9: 30, 10: 10; Mon-Thur 6: 30, 6: 50, 9: 30, 9: 50 p.m.
Titanic 3D (14A) - Fri, Mon-Thur 7: 20; Sat-Sun 1, 5, 9 p.m.
Metropolitan Opera: La Traviata - Sat 9: 55 a.m.
EM S
PACIFIC CINEMATHEQUE
1131 Howe St., 604-688-FILM www.cinematheque.bc.ca.
Robert Bresson April 4-9, 13-15, 19-23, 2526.
The French director Robert Bresson (1901-1999), one of film's most important and influential artists, was master of a spare, rigorous, intensely metaphysical cinema that explored, with rare poetry and purity, the human struggle for grace and redemption. Bresson made but 13 features in a film career spanning five decades; that body of work is one of the most extraordinary and uncompromising in the history of cinema. Bresson's singular style - a stripped down, affectless aesthetic that miraculously turns austerity and asceticism into amplitude and manages to approach the immanent, express the ineffable - has been famously described, by Paul Schrader, as transcendental.
